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Clara Haskil (7 January 1895 - 7 December 1960) was a Romanian classical pianist, renowned as an interpreter of the classical and early romantic repertoire. She was particularly noted for her performances and recordings of Mozart. She was also noted as an interpreter of Beethoven, Schumann, and Scarlatti. ==Biography== Haskil was born into a Sephardic Jewish family in Bucharest, Romania and studied in Vienna under Richard Robert (whose pupils also included Rudolf Serkin and George Szell) and briefly with Ferruccio Busoni. She later moved to Paris, where she studied with Gabriel Fauré's pupil Joseph Morpain, whom she always credited as one of her greatest influences. The same year she entered the Conservatoire de Paris, officially to study with Alfred Cortot although most of her instruction came from Lazare Lévy and Mme Giraud-Letarse, and graduated at age 15 with a ''Premier Prix''. She also graduated with a ''Premier Prix'' in violin. Upon graduating, Haskil began to tour Europe, though her career was cut short by one of the numerous physical ailments she suffered throughout her life. In 1913 she was fitted with a plaster cast in an attempt to halt the progression of scoliosis. Frequent illnesses, combined with extreme stage fright that appeared in 1920, kept her from critical or financial success. Most of her life was spent in abject poverty. It was only after World War II, during a series of concerts in the Netherlands in 1949, that she began to win acclaim. As a pianist, her playing was marked by a purity of tone and phrasing that may have come from her skill as a violinist. Transparency and sensitive inspiration were other hallmarks of her style. Well regarded as a chamber musician, Haskil collaborated with George Enescu, Eugène Ysaÿe, Pablo Casals, Dinu Lipatti, Joseph Szigeti, Géza Anda, Isaac Stern, Henryk Szeryng and Arthur Grumiaux, with whom she played her last concert. While renowned primarily as a violinist, Grumiaux was also a fine pianist, and he and Haskil would sometimes swap instruments. She played as a soloist under the baton of many conductors, including Ansermet, Barbirolli, Baumgartner, Beecham, Boult, Celibidache, Cluytens, Dixon, Fricsay, Giulini, Inghelbrecht, Jochum, Karajan, Kempe, Klemperer, Kubelík, Markevitch, Monteux, Munch, Paray, Rosbaud, Sawallisch, Solti, Stokowski and Szell. One of her most prominent performances as a soloist with an orchestra is a recording of Mozart's Piano Concertos Nos. 20 and 24 in November 1960 with Orchestre des Concerts Lamoureux conducted by Igor Markevitch (issued on CD by Philips Classics under No. 464 718-2); this recording features an unusually slow, pensive performance of K.466's third movement and a very subtle, highly lyrical and yet, in some way, vigorous playing of K.491's second movement. Haskil died from injuries received through a fall at the staircase of a Brussels train station. She was to play a concert with Arthur Grumiaux the following day. She was aged 65. An esteemed friend of Haskil, Charlie Chaplin, described her talent by saying "In my lifetime I have met three geniuses; Professor Einstein, Winston Churchill, and Clara Haskil. I am not a trained musician but I can only say that her touch was exquisite, her expression wonderful, and her technique extraordinary." (Swiss Radio interview, 19 April 1961.) In a 2013 interview, Pope Francis mentioned Haskil as one of his favorite musicians, especially when performing Mozart.〔(''America, The National Catholic Review'', 30 September 2013 )〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Clara Haskil」の詳細全文を読む スポンサード リンク
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